The text below dates from 2013. It is the previous unpublished version of a paper I presented at the annual meeting of the Sixteenth Century Studies Conference in San Juan, Puerto Rico. At the moment there are no notes with the text. I plan to update the text to include at least a bibliography. The title of the paper I presented in San Juan is “Mennonite Printers, Anticonfessionalism, and the Persistence of Dissent in the Netherlands.” Except for updating the title for this post, I have only edited the text of the 2013 paper very lightly.
Part of the reason for publishing the 2013 paper as a blog post now is that my grad student, Brookelnn Cooper, is finishing off her MA research paper, and she is making the case for Colom as the printer / publisher of Menno Simons’ Blasphemy. For more about the Blasphemy, see my post about it here.
This post consists of a gallery of early modern Dutch Mennonite artists (or those who were a part of Mennonite milieus, even though they might not have been congregational members). The list is far from exhaustive, but it provides a quick sense of just how involved in the arts Mennonites were. For more details about Mennonite artists, or Anabaptist portrayed in art, click the tags “art” or “portrait”. Read more →
The Museum Van Loon in Amsterdam recently finished an exhibit of 18th-century family portraits. I’m posting a poster from that exhibit, plus 5 portraits of Doopsgezind families who lived in Amsterdam and Haarlem. The artworks are from the collections of the Rijksmuseum Amsterdam and the Amsterdam Museum. I plan eventually to add more details about these portraits and families; my goal is to place the expanded form of this post in the exhibits portion of this website. For now, click on an image to view it in more detail and to find links for more information.
The title of this post is an allusion to Steven Nadler’s A Book Forged in Hell. That 2011 book is about Baruch Spinoza’s Theological-Political Treatise, a work that scandalized secular and ecclesiastical authorities in the later 17th century — and has influenced philosophers and historians in recent years. The purpose of this post is to share a bibliography compiled by Piet Visser and his students in the 1990s. Piet retired in June 2014 from his professorship at the Mennonite seminary at the Free University in Amsterdam. Before that he was the chief curator of rare books and professor of book history at the University of Amsterdam. It’s in this earlier role that the list that you can find below originated.
Romeyn de Hooghe (1645-1708) is a major figure in the world of European art history in the era of the Dutch Golden Age. What’s more, he played a significant role in Anglo-Dutch politics around the time of the Glorious Revolution as a supporter of William of Orange / William III. He’s been the subject of a significant number of exhibitions and academic studies recently. For example, the National Gallery of Art in Washington, DC, has just finished an exhibit on “The Book Illustrations of Romeyn de Hooghe” (13 Sept. 2014 to 25 Jan. 2015). In this post I introduce an anonymous etching that I think might be by him (or maybe by his student Adriaan Schoonebeek).
Note: Since first publishing this post I have updated it a few times. One revision was from Feb. 8, and more thorough revisions are from Feb. 11 and 23. The main change in the most recent, thorough revisions is to downplay the importance of the 1660 edition of Hortensius.
From 21-23 January I will be participating in a conference on the theme of “Enlightened Religion — From Confessional Churches to Polite Piety”. It will take place in Utrecht, The Netherlands, and it is part of the Faultline 1700 research project. Together with Jonathan Israel I will provide some closing thoughts at the end of the conference. In preparation for this privilege, I will provide a few ways of summarizing the conference proceedings — even before it begins. Read more →
Under the “About” and “Themes” links for this Blog I outline a new research project that I am working on with Gary Waite and a team of other scholars to examine the nonconforming religious roots of early Enlightenment thought and social organization in London and Amsterdam from about 1580 until 1700. An aspect of this project is that we will examine the opponents of religious nonconformity and intellectual innovation. The short title for the project “Amsterdamnified!” This post is about the oldest source of this quirky term. I will use the source to highlight a promising digital tool.