The text below dates from 2013. It is the previous unpublished version of a paper I presented at the annual meeting of the Sixteenth Century Studies Conference in San Juan, Puerto Rico. At the moment there are no notes with the text. I plan to update the text to include at least a bibliography. The title of the paper I presented in San Juan is “Mennonite Printers, Anticonfessionalism, and the Persistence of Dissent in the Netherlands.” Except for updating the title for this post, I have only edited the text of the 2013 paper very lightly.
Part of the reason for publishing the 2013 paper as a blog post now is that my grad student, Brookelnn Cooper, is finishing off her MA research paper, and she is making the case for Colom as the printer / publisher of Menno Simons’ Blasphemy. For more about the Blasphemy, see my post about it here.
This is a quick introduction to using Zotero, a bibliographic tool that is unique and powerful because it allows for individual and collaborative work. This is an early draft of a page that will eventually be available at the Amsterdamnified Project webpage. Since that page is undergoing some maintenance, I’m starting the page here. I’m making this draft for Gary Waite’s graduate students at the University of New Brunswick at Fredericton, and for my undergraduate students at Brock University. Read more →
ORIGINAL POST (May 2017): The Blasphemy of Jan of Leiden is the oldest text by Menno Simons, and it indicates that he was an early opponent of the Anabaptists of Münster. This, at least, has long been the consensus view about early Mennonite history. A challenge for researchers, however, is that the oldest copy of The Blasphemy is from 1627. This post introduces a project to find out more about this 1627 text.
UPDATE (April 2018): The transcription project is still in planning. Brookelnn Cooper has completed her archival research and is now working on her MA paper, tentatively titled “Identifying the Anonymous Printer of Menno Simons’ The Blasphemy of Jan van Leiden (1627): A Typographical Analysis.”
Amsterdam’s Doopsgezind (aka Mennonite) church on the inner city canal ring called the Singel is a major landmark in the history of Dutch dissenters. Its modern address is Singel 452. The building did not and still does not look like a church from the outside. Since Mennonites did not enjoy rights of public worship in most part of the Netherlands until the 19th century, they usually made the outside of their meeting houses to look like a regular building (for more, see the Wikipedia article on clandestine churches). The Singelkerk is a major example of a Dutch clandestine church.
The Singel Church was the epicentre of the so-called “War of the Lambs” in the middle of the 17th century (see the building’s symbol). Read more →
In America the Sun of Salvation has risen, which will shine its rays upon us provided we so desire. Only America can revive our Trade and our Shipping…. America provides us again, if we dare look at it, a striking proof of how Righteousness exalteth a nation: but sin is a reproach to any people. America can teach us how to resist the degeneration of National Character, how to check the corruption of morals, how to prevent bribery, how to choke off the seeds of tyranny and restore moribund Liberty to health.
The title of this post is an allusion to Steven Nadler’s A Book Forged in Hell. That 2011 book is about Baruch Spinoza’s Theological-Political Treatise, a work that scandalized secular and ecclesiastical authorities in the later 17th century — and has influenced philosophers and historians in recent years. The purpose of this post is to share a bibliography compiled by Piet Visser and his students in the 1990s. Piet retired in June 2014 from his professorship at the Mennonite seminary at the Free University in Amsterdam. Before that he was the chief curator of rare books and professor of book history at the University of Amsterdam. It’s in this earlier role that the list that you can find below originated.
Romeyn de Hooghe (1645-1708) is a major figure in the world of European art history in the era of the Dutch Golden Age. What’s more, he played a significant role in Anglo-Dutch politics around the time of the Glorious Revolution as a supporter of William of Orange / William III. He’s been the subject of a significant number of exhibitions and academic studies recently. For example, the National Gallery of Art in Washington, DC, has just finished an exhibit on “The Book Illustrations of Romeyn de Hooghe” (13 Sept. 2014 to 25 Jan. 2015). In this post I introduce an anonymous etching that I think might be by him (or maybe by his student Adriaan Schoonebeek).
Note: Since first publishing this post I have updated it a few times. One revision was from Feb. 8, and more thorough revisions are from Feb. 11 and 23. The main change in the most recent, thorough revisions is to downplay the importance of the 1660 edition of Hortensius.