This post consists of a gallery of early modern Dutch Mennonite artists (or those who were a part of Mennonite milieus, even though they might not have been congregational members). The list is far from exhaustive, but it provides a quick sense of just how involved in the arts Mennonites were. For more details about Mennonite artists, or Anabaptist portrayed in art, click the tags “art” or “portrait”. Read more
Inspired by the Twitter hashtags #executedtoday and #onthisday, I have been looking through the Global Anabaptist-Mennonite Encyclopedia Online (gameo.org) from time to time. Today I came across this note in the GAMEO article by Irwin Horst on “England”:
The first Anabaptists in England, according to various polemical treatments written in the 17th century and later, came from Holland subsequent to the seditious uprising at Amsterdam on 10 May 1535 (A Short History of the Anabaptists, 1642, 48). The source of this information is Lambertus Hortensius, a Dutch ecclesiastic and chronicler, who lived contemporary with the events and whose Tumultuum Anabaptisticarum was first printed at Basel in 1548, but he nowhere holds that these Anabaptists were the original ones in England. The 25 Dutch Anabaptists arrested and brought to trial at St. Paul’s on 25 May 1535, 14 of whom were condemned and burned at London and other English towns on 4 June 1535, may have been members of the party mentioned by Hortensius.
I am noting Horst’s work here so I can find it again on a rainy day and look into this further. Please let me know if you know anything more about the early history of English “Anabaptism”.
Amsterdam’s Doopsgezind (aka Mennonite) church on the inner city canal ring called the Singel is a major landmark in the history of Dutch dissenters. Its modern address is Singel 452. The building did not and still does not look like a church from the outside. Since Mennonites did not enjoy rights of public worship in most part of the Netherlands until the 19th century, they usually made the outside of their meeting houses to look like a regular building (for more, see the Wikipedia article on clandestine churches). The Singelkerk is a major example of a Dutch clandestine church.
The Singel Church was the epicentre of the so-called “War of the Lambs” in the middle of the 17th century (see the building’s symbol). Read more
The Social Sciences and Humanities Research Council of Canada has just awarded Michael Driedger (Brock University) and Gary K. Waite (University of New Brunswick) a five-year Insight Grant for their research program “Amsterdamnified! Religious Dissenters, Anti-Providential Ideas and Urban Associationalism in the Emergence of the Early Enlightenment in England and the Low Countries, 1540-1700.” For more details, please visit the project website.
(Click the images for more details.)
The Museum Van Loon in Amsterdam recently finished an exhibit of 18th-century family portraits. I’m posting a poster from that exhibit, plus 5 portraits of Doopsgezind families who lived in Amsterdam and Haarlem. The artworks are from the collections of the Rijksmuseum Amsterdam and the Amsterdam Museum. I plan eventually to add more details about these portraits and families; my goal is to place the expanded form of this post in the exhibits portion of this website. For now, click on an image to view it in more detail and to find links for more information.
For more details, click on the pictures.
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