Iconoclash is a collection related to an exhibit from 2002 that is entitled “Iconoclash: Beyond the Image Wars in Science, Religion, and Art” (https://zkm.de/en/event/2002/05/iconoclash). It was the ostensible subject for our wide-ranging and very productive discussions on Feb. 24 on related subjects.
In February 2020 the HUMA 7P55 reading group will be testing Voyant Tools in conjunction with several theoretical readings by Reinhart Koselleck, Raymond Williams, and Ian Hacking. If you’d like to Read More, you’ll find a Voyant Tools analysis frame that compares Augustine’s City of God with Melville’s Moby-Dick: Or, the Whale. The reason for offering this comparison is that one of the participants is part of another reading group at McMaster University in Hamilton that is focused on these two texts (click the link to RELIGST 775). Note: The image above the post is a fixed version of the dynamic cirrus (word cloud) available below in the interactive Voyant window, together with many other dynamic frames.
NOTE: Last updated on Friday, 31 Jan. 2020
HUMA 7P55 is a PhD course at Brock University. The theme is “Fanaticism: Political and Aesthetic Dimensions.”
Below are a few notes related to my contribution to the round table held on 1 Nov. 2018 in Albuquerque, NM, at the Sixteenth Century Studies Conference. Other contributors to the round table included Amy Nelson Burnett, Kat Hill, David Yoder Neufeld, and James M. Stayer. Geoffrey Dipple was the organizer and moderator.
UPDATED: Dec. 2022
The text below dates from 2013. It is the previous unpublished version of a paper I presented at the annual meeting of the Sixteenth Century Studies Conference in San Juan, Puerto Rico. At the moment there are no notes with the text. I plan to update the text to include at least a bibliography. The title of the paper I presented in San Juan is “Mennonite Printers, Anticonfessionalism, and the Persistence of Dissent in the Netherlands.” Except for updating the title for this post, I have only edited the text of the 2013 paper very lightly.
Part of the reason for publishing the 2013 paper as a blog post now is that my grad student, Brookelnn Cooper, is finishing off her MA research paper, and she is making the case for Colom as the printer / publisher of Menno Simons’ Blasphemy. For more about the Blasphemy, see my post about it here.
Image details coming soon…
NOTE: This post will focus on literature from approximately the last 10 years (i.e., since the publication of Bernhard Rothmann and the Reformation in Münster).
More literature is on the way. Stay tuned. (LAST UPDATED: 12 May 2018)
This is a quick introduction to using Zotero, a bibliographic tool that is unique and powerful because it allows for individual and collaborative work. Its main audience is intermediate- and graduate-level university students. I created this introduction originally for Gary Waite and his graduate students at the University of New Brunswick at Fredericton. This is background for the example later in this page. Suggestions for improving this introduction to Zotero are welcome. Read more
ORIGINAL POST (May 2017): The Blasphemy of Jan of Leiden is the oldest text by Menno Simons, and it indicates that he was an early opponent of the Anabaptists of Münster. This, at least, has long been the consensus view about early Mennonite history. A challenge for researchers, however, is that the oldest copy of The Blasphemy is from 1627. This post introduces a project to find out more about this 1627 text.
UPDATE (Sept 2019): The transcription project is still in planning. Brookelnn Cooper has completed her MA research paper (“Identifying the Anonymous Printer of Menno Simons’ The Blasphemy of Jan van Leiden [1627]: A Typographical Analysis”) and her degree at Brock U, and she has begun doctoral studies at Queen’s University in Kingston, where she’s working with Jeffrey Collins.
Since 25 June is the anniversary of the fall of Münster to siege forces, I have brought this post from June 2015 to the top of the blog, and I have updated the post in a few places.
Amsterdam’s Doopsgezind (aka Mennonite) church on the inner city canal ring called the Singel is a major landmark in the history of Dutch dissenters. Its modern address is Singel 452. The building did not and still does not look like a church from the outside. Since Mennonites did not enjoy rights of public worship in most part of the Netherlands until the 19th century, they usually made the outside of their meeting houses to look like a regular building (for more, see the Wikipedia article on clandestine churches). The Singelkerk is a major example of a Dutch clandestine church.
The Singel Church was the epicentre of the so-called “War of the Lambs” in the middle of the 17th century (see the building’s symbol). Read more