ORIGINALLY POSTED: April 2018.
The theme of CBC Radio’s Podcast Playlist from 8 March 2018 is the cultural meaning of hair (“Long, Short, Straight, Curly: Podcasts about Every Type of Hair”). What do parts on the right versus the left mean? How are curls or straight hair related to political views? What about hair’s role in group and personal identity (e.g., Black and Jewish cultures of hair)? One purpose of this blog post is recommend this excellent episode of the show.
UPDATE (Aug. 2020): Slate’s Decoder Ring series has recently posted an episode on the “Mystery of the Mullett”.
It’s fabulous! Among other reasons, it’s a fun romp through recent cultural history (the sort of stuff I grew up with), and it ends with some serious reflections on backwards projections of cultural memory as well as the dangers of fake evidence and online trolling.
A second purpose is to gather and eventually add some further thoughts about the cultural meaning of hair in the study of early modern heresy and dissent. Gary Waite’s writing about visual depictions of wild heretics is part of my inspiration for the idea, as is my own recent far-too-long hair and experiments with a beard. For the former, see Gary Waite, “Naked Harlots or Devout Maidens? Images of Anabaptist Women in the Context of the Iconography of Witches in Europe, 1525–1650” in Sisters: Myth and Reality of Anabaptist, Mennonite, and Doopsgezind Women, ca 1525-1900 (2104).
Gary Waite (following observations by scholars such as Jane Davidson and Charles Zika) highlights the contrasting way that artists portrayed female heretics and witches with wild, flowing hair as opposed to pious women with constrained, controlled hair.
Waite notes that wild hair is related to deviance in early modern European art. But I wonder if there have been any early positive European (or non-European) associations of wild hair with divine inspiration?
I wonder also if this artistic representation changed in the 18th and 19th centuries with changing ideals of freedom, individuality, and rights?
STAY TUNED FOR MORE … (22 April 2018)