A “new” etching by Romeyn de Hooghe? Updated and revised post

deHoogheCatalog2008

Cover of a 2008 catalog that accompanied an exhibit in 2008-9 at the Allard Pierson Museum in Amsterdam. The translation of the catalog title is “Romeyn de Hooghe: the late Golden Age brought to life.”

Romeyn de Hooghe (1645-1708) is a major figure in the world of European art history in the era of the Dutch Golden Age. What’s more, he played a significant role in Anglo-Dutch politics around the time of the Glorious Revolution as a supporter of William of Orange / William III. He’s been the subject of a significant number of exhibitions and academic studies recently. For example, the National Gallery of Art in Washington, DC, has just finished an exhibit on “The Book Illustrations of Romeyn de Hooghe” (13 Sept. 2014 to 25 Jan. 2015). In this post I introduce an anonymous etching that I think might be by him (or maybe by his student Adriaan Schoonebeek).

Note: Since first publishing this post I have updated it a few times. One revision was from Feb. 8, and more thorough revisions are from Feb. 11 and 23. The main change in the most recent, thorough revisions is to downplay the importance of the 1660 edition of Hortensius.

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Ngram reflections on Henri Krop’s Faultline 1700 paper

DBNL-Ngram-Godsdienst-enHenri Krop’s paper at the Faultline 1700 conference discussed shifting conceptions of religion in the late 17th and early 18th centuries. His paper’s short title was “From Singular to Plural.” Inspired in part by his paper, I have tried out a new digital humanities tool from the DBNL, the online database for Dutch literature. The graph above shows the frequency across time of the keywords godsdienst (religion) in green and godsdiensten (religions) in blue. For more on the DBNL ngram viewer, see this video. I haven’t been able to figure out how to embed an active version of the tool in this blog. The data points on the graph are clickable, if you use it as intended at dbnl.org.